Today’s:

Marqui Adora - DoAnything [site] [myspace]

The Dimes - Catch Me Jumping [site] [myspace]

the donts - BlahBlahBlah [myspace]

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Added today:

Oprachina - Fat-fast [mySpace] [label]

Poxfil - Handyman / Solid Ground [site] [label]

Ruth Theodore - CO2 / Kathy’s Song / Nothing On / Threat [site] [mySpace] [label]

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Due to server problems Musick stream was not online in the past days.
Now we are on new and stable servers provided by Viastreaming at 96kbs.
We are testing some features, and more streaming choices are next to come.
We apologize for any inconvenience.
Thanks for your patience.

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Added today.

Jade: Keep waiting / Ready / Seven mondays

More about the band:

This is a typical tale, but one always nice to hear and to tell, that of the coming together of a bunch of music buffs in high school, that of those strummers , tinkers and sometimes brawlers, that everyone hears and knows about, who too quickly fall back into line.This in no way applies to Remi, Franck, Lionel, Luis, and Serge. Their life beats to the heart of music. The gang of five got to work in a basement, naturally…

One thing leading to another, from groove to rock, trying to find their own way. Then come the first compositions, the first gigs and the setting up of a recording studio. It will take ten years to give life to a real project, to meet along the road those who will back up the original team (Laetitia, Jean Pierre), to find a name and above all their own tone.

In september 2002, JADE comes into the world; its first four single CD (self produced) fills the air in January 2004.
If one wanted to classify it in a defined genre, it would be considered as trip-hop.

One word comes to mind when listening to these first singles: sensual. Lets just keep the trip in trip hop, and forget about the hop. Trip is the word that fits because JADE summons us to a journey, one at the heart of feelings and senses.

This first CD brings together four songs similarly inspired, a slow tempo, a swaying rhythm, warm chords, a little bit of nostalgia for everyday life. All the songs are written by JADE.

They are all common compositions whose inspiration and finalization can be attributed to Remi Selles, the leader of the band. The lyrics (in English, but others in French are to come) are written by Laetitia Mosca, JADE’s voice. Bear in mind, in the “Seven Mondays” track, the participation of QUATUOR AYIN, a group trained in the classical tradition, whose open-mindedness, enabled JADE to set out on new musical trails.

To awaken the senses, to blow hot and cold, red and blue, such is the musical project of JADE whose seven members are currently setting up a show in which the eye’s delight will add to that of the ears and where the theatrical atmosphere will underscore and highlight the musical atmosphere. (from their site)

Label: Jamendo

All the songs are released under a Creative Commons license

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Just added.

Kristin Hersh: Deep Wilson / Snake Oil / SnoCat

More about the artist:

Kristin Hersh is an American singer/songwriter who performs solo acoustic concerts; she also has performed as lead singer and guitarist for alternative rock group Throwing Muses and currently leads the hardcore punk-influenced power trio 50 Foot Wave.

Hersh’s music is known for its chord chemistry, sonic treatments, and a vocal style ranging from softly melodic singing to impassioned screaming. Some of her signature contributions to popular music include addressing the complexities of life through impressionistic, sometimes hallucinatory lyrics about everyday feelings and varying mental states. A few of her numerous songwriting subjects have included childbirth (”Hysterical Bending”), love (”Tar Kissers”, “Lavender”), surreal vignettes (”Delicate Cutters”, “Fish”), death (”Limbo”), emotional anguish (”The Letter”), loss of custody of her first son (”Candyland”), and the shedding of a relationship’s anxiety (”Snake Oil”).

Hersh has used images such as apples, water, diamonds, eyes, the sea, snow, ice, rain, fire, the sun, sand, and cowboys. On occasion she has used historical figures like anorexic suicide Ellen West as metaphors in depicting a state of mind. Eccentric characters encountered in her family’s travels have made occasional appearances in songs such as “Ruthie’s Knocking”; a 2005 live solo set list included a then-untitled song (”Under The Gun”) about a “parrot lady” character she happened upon while visiting Lake Michigan.

Some interviews have described Hersh’s early drive to perform as due to hearing sounds in her mind so that her songs began to “write themselves”, becoming at times their own separate presences in her life, inner voices haunting her. She has stated that hearing these “pieces of songs” clanging together in her mind compelled her to take the pieces apart and craft songs from them. “If I don’t turn ideas into songs, they can get stuck in me and make me sick,” she said in a 1995 interview with AOL’s Critics’ Choice electronic music magazine. “That’s the way a song hits you right here, right here [she motions to the heart and gut] instead of in your brain because the words themselves are all real sweaty, color, action words, so they just go bangbangbang. They’re not supposed to make you think and try to figure out some puzzle. People think that I’m trying to trick them, that I have some thing I could write down and I haven’t done it and I’ve just given them a bunch of poetry instead. I find it to be the clearest way to talk. It’s like the way little kids talk because they have no filler words and no overriding thoughts to color your impression of what’s happening in a song.” (from Wikipedia)

All the songs are released under a Creative Commons Music Sharing License.

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